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Archive for March, 2008



The Buddy System

Friday, March 28th, 2008

Had a lot of fun writing about the film “King Corn” this week, and in thinking of that film’s two heroes, Ian Cheney and Curtis Ellis, I realized I had become a bit attached to the duo and their antics. That got me to thinking there have been a number great of documentaries that explore not only a larger issue, but also the unique relationship between two human beings, from “American Movie’s” homespun heroes Mike and Marc to “Grey Gardens” big and little Edie.

 

What makes these films so great is that even as their subjects tackle life’s various conflicts and much larger issues, they all truly help to lend an element of humanity to the films in which they appear. Scripted features would do well to start stealing more pages out of the documentary character study playbook. All the fun and the personality of many of these films often lives and dies with our ability to embrace a film’s subjects as being living, breathing folks. It makes the documentary genre all the more powerful and fuses the films that do it right with a higher set of stakes and a much larger amount of emotional resonance.

 

It also helps lend lots of perspective to the fact that docs—the recent film “Mr. Untouchable” for example—often give us a greater sense of their time and place and the good and bad qualities of their characters. Don’t get me wrong, I deeply love the work of filmmakers like Ridley Scott, but his recent “American Gangster” is a perfect example that is double the running time of the “Mr. Untouchable’s’ ” lean mean 92 minutes and packing not even half the punch.

Still though, 2007 was an awful good year for film in general, and I remain optimistic that more and more filmmakers will have no choice but to start getting real. I look forward to what the rest of ’08 will hold, and I’m crossing my fingers that actors Tom Cruise and Greg Kinnear can fill the shoes of their Steve and Billy, the non-fictional video game rivals of last year’s wildly entertaining “King of Kong.” Even though filmmaker Seth Gordon is crafting the film himself, I’d still hate to see such a great story go the way of “Lords of Dogtown.” Still, my hopes remain high and my fingers remain crossed. What say you gentle viewer? Drop us a line at viewers@documentarychannel.com and let us know.



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Heavy Hearts in Baghdad

Thursday, March 20th, 2008

Just got some not-so-happy news from the folks behind one of my favorite recent documentaries, Suroosh Alvi and Eddy Moretti’s terrific “Heavy Metal in Baghdad,” which follows the trials and tribulations of Iraq’s one and only heavy metal band Acrassicauda as they go to incredible links to stay together, stay alive and, above all, keep making the music they love even if they have to make it in the middle of a war zone. The filmmakers have set up a Paypal account on the film’s website to allow folks to make donations to Acrassicauda’s cause, and because of the interest the film has drummed up and the generosity of a few kind souls, the band was able to gather enough money to escape Syria and flee to Turkey. But it appears that they might have escaped the frying pan, but not so much the fire. According to a note I received sent out by the filmmakers yesterday, the band has completely run out of resources and is stuck in Turkey, literally having to burn newspapers just to keep warm. In an effort to help them out, the filmmakers, along with the folks at Vice Films, are again accepting donations to help the band along. For those interested in lending a hand, please visit the doc’s official website at www.heavymetalinbaghdad.com, and if you haven’t seen the film yet, do try to catch it as it makes its way across the US, and surely before long, to a festival near you. We wish the boys of Acrassicauda all the best and encourage you to help their story find a happy ending.



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DVD Extras (Not Just For Nerds Anymore)

Thursday, March 13th, 2008

As you may have figured out from context clues provided in past blog entries, I’m something of a DVD snob. When my favorite films are released, God forbid they should ever come in some sort of two-disc special edition or come with some sort of gimmicky promotional schwag, as I will be helpless but to purchase it. A perfect example being Warner’s heavily expanded recent release of the film “Blade Runner.” The edition I bought ended up costing quite a bit extra due in large part to the strange brief case-esque packaging and the presence of an origami unicorn (and yes maybe it’s a bit emasculating but they had me at the origami unicorn). But even more impressive an extra feature than a fancifully folded mythical creature is the set’s more than two-hour documentary that focuses on the making of Ridley Scott’s landmark film.

This is the sort of thing that sends my inner geek over the moon. I live for making of docs, and as many as I’ve seen, it never fails to be fascinating to grab yet another glimpse into the creation of any of my favorite films. With multi-disc special editions of DVDs still very much being in vogue, there is no shortage of behind-the-scenes docs for me to indulge in, and I often surprise myself by watching these more often than the film they happen to be chronicling.



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Louis, Johnny & Me

Wednesday, March 5th, 2008

Once again, this month has afforded me the opportunity to wax philosophical on two of my favorite filmmakers ever to pick up a camera and point it at a subject close to their hearts: The legendary Louis Malle and the man behind cult-classic in the making “Johnny Berlin,” filmmaker Dominic DeJoseph, who has just wrapped up his rough cut of the much anticipated sequel “Johnny Berlin 2: Notes From the Dumpster.” Not unlike Errol Morris before him, Dominic has a real knack for the chronicling of quirk, and in Johnny “Berlin” Hyrns, he’s hit upon one of the more unique and fascinating protagonists to grace the medium since the Maysles captured the two Edies bickering in their decaying mansion way back when. I should have my full write up of Johnny 2 on the documentarychannel.com homepage sometime next week. This is, no doubt, the sort of work that we can expect from Dominic his whole career, and it’s definitely given me cause to breathe a sigh of relief that my beloved documentary medium is in good hands. Renaissance man that he is, I’m sure it won’t be too terribly long before Dominic sets his sights on the world of narrative filmmaking again as well (something I’m also very much looking forward to). It’s been a real pleasure to sit back and watch new viewers discover the simple pleasures of Dominic’s first “Johnny Berlin,” a film that proves that a simple subject and a unique point of view are all you really need to craft a memorable film. Also, there is the winning and frequently hilarious combination of existential angst and genuine hopefulness, two great tastes that I personally never would have thought tasted so good together. Thankfully Dominic has proven me otherwise. So please tune in and check out “Johnny Berlin” and the DOC exclusive premiere of its sequel “Johnny Berlin 2: Notes From the Dumpster” and bask in the many splendors of a true documentary hero, a man who is in his own words “semi happy (he imagines).



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